![]() Her image was that of a sweet, wholesome, and pure young woman who was notable for playing her roles with depth and sensitivity. Career 1927 studio portraitīy 1927, Gaynor was one of Hollywood's leading ladies. Later that year, Gaynor was selected as one of the WAMPAS Baby Stars (along with Joan Crawford, Dolores del Río, Mary Astor, and others). Her performance in the film caught the attention of Fox executives, who signed her to a five-year contract and began to cast her in leading roles. Six weeks after being hired by Universal, an executive at Fox Film Corporation offered her a screen test for a supporting role in the film The Johnstown Flood (1926). Universal eventually hired her as a stock player for $50 a week. This led to more extra work in feature films and shorts for Film Booking Offices of America and Universal. Gaynor won her first professional acting job on December 26, 1924, as an extra in a Hal Roach comedy short. Her mother and stepfather continued to encourage her to become an actress and she began making the rounds to the studios (accompanied by her stepfather) to find film work. She supported herself by working in a shoe store and later as a theatre usher. She was initially hesitant to do so and enrolled at Hollywood Secretarial School. Upon returning to San Francisco, Gaynor, her mother, and stepfather moved to Los Angeles, where she could pursue an acting career. Īfter graduating from San Francisco Polytechnic High School in 1923, Gaynor spent the winter in Melbourne, Florida, where she did stage work. Shortly thereafter, her mother married electrician Harry C. After her parents divorced in 1914, Gaynor, her sister, and her mother moved to Chicago. As a child in Philadelphia, she began acting in school plays. When Gaynor was a toddler, her father began teaching her how to sing, dance, and perform acrobatics. Frank Gainor worked as a theatrical painter and paperhanger. ![]() Nicknamed "Lolly" as a child, she was the younger of two daughters born to Laura (Buhl) and Frank De Witt Gainor. Gaynor was born Laura Augusta Gainor (some sources stated Gainer) in Germantown, Philadelphia. Murnau's Sunrise: A Song of Two Humans (1927) In September 1984 the injuries sustained in the accident were officially ruled to have caused her death.Įarly life Gaynor in her most famous silent film, F. The previous year the same driver was charged with two felonies for using his car as a deadly weapon against a woman motorist, who he argued with over a parking spot, at which time he was placed on informal probation, and subsequently had the charges dropped. On the evening of 5 September 1982 Gaynor sustained multiple injuries when a drunken driver, a former policeman, struck the taxicab in which she and others were passengers. In 1980, Gaynor made her Broadway debut in the stage adaptation of the 1971 film Harold and Maude, and appeared in the touring theatrical production of On Golden Pond in February 1982. She briefly returned to acting in films and television in the 1950s and later became an accomplished oil painter. Gaynor's career success continued into the sound film era, and she achieved notable success in the original version of A Star Is Born (1937), for which she received a second Best Actress Academy Award nomination.Īfter retiring from acting in 1939, Gaynor married film costume designer Adrian, with whom she had a son. This was the only occasion an actress won one Oscar for multiple film roles. In 1929, she became the first recipient of the Academy Award for Best Actress for her performances in three films: 7th Heaven (1927), Sunrise: A Song of Two Humans (1927), and Street Angel (1928). After signing with Fox Film Corporation (later 20th Century-Fox) in 1926, she rose to fame and became one of the biggest box offices draws of the era. Gaynor began her career as an extra in shorts and silent films. That was the most vulnerable I had ever been.Janet Gaynor (born Laura Augusta Gainor Octo– September 14, 1984) was an American film, stage, and television actress. That’s what an actor’s goal is, to be vulnerable. It was kind of an out-of-body experience. ![]() That’s what I had been to do.” The show’s creator, Brenda Hampton, developed the story line after seeing how the close-knit cast pulled together for Mitchell. ”It was one of the most real moments on 7th Heaven, because when Lucy let loose, she was hysterical. ”It was the first time I was able to grieve and deal with my own personal best friend’s death a few months prior,” reveals Mitchell. ” was one of the hardest scenes I’ve ever done,” says Mitchell, who was then 16, of the sequence in the Camden home in which Lucy finally breaks down and cries. ![]() After 10 years on The CW (formerly The WB) family drama 7th Heaven, Beverley Mitchell, 25, most cherishes the episode in season 2 when her character, Lucy Camden, comes to terms with her best friend’s death in a car crash.
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